On a Recent Edition of Frankenstein

There are so many books coming out that it is sometimes hard to keep up. And yet, there are many very good books that have been deemed classics that I have yet to read. In general, like many people, I probably invest too much time in the latest books, usually non-fiction, to the detriment of my exposure to well-weathered literature.

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Karen Swallow Prior has been working with B&H to republish a set of literary classics in lovely bindings with helpful introductions and annotations to help contemporary readers access some good books from our literary past. So far the set includes Sense and Sensibility, Jane Eyre, Heart of Darkness, and Frankenstein. The general approach of the set has fit well with Prior’s earlier volume, On Reading Well, which encourages reading good literature for its ability to make us think morally, not simply to check a box on the Facebook “100 books every person must read” clickbait quiz.

Recently I picked up the new edition of Mary Shelley’s Frankenstein, which is a book I had never previously read. First, it is worth noting that the physical book is a nice edition. It is a cloth hardback volume with quality paper, an easy-to-read font, with space between the lines and on the margins for notes and for the delight of the eyes. Unlike many reproduced classics, this is no cut-rate production that saps the energy through the process of trying to decipher tiny text on gray paper. Second, the introductory material is actually helpful. Too many reproduced classics have academic essays that diverge from framing the context for contemporary readers into second and third order scholarly debates that do little to help the average reader gain access to the information. Prior demonstrated restraint and focused on the most helpful bits of debate that actually pertain to the text (not its later interpretations), which makes the introduction worth reading before and after tackling Shelley’s work. Third, Prior frames the book for a Christian audience, which can be helpful. Instead of pushing the reader toward feminist interpretations or whatever neologism a particular scholar may be interested in, Prior offers some helpful points for consideration without providing the answers. Along with this, there are some reflection questions at the end of each of the three volumes of the book to encourage dialogue or reading with others.

The themes of Frankenstein are helpful for contemporary readers. Though the technology Victor Frankenstein uses to reanimate his monster is obviously fictional, it points beyond to moral questions of our own day like cloning, artificial wombs, and in vitro fertilization. Frankenstein conquers nature by “creating” life and that creature subsequently conquers him, taking away much of his joy, harming those he loves, and eventually resulting in his own death. In many ways, Shelley shows that by moving beyond the limits of nature, Frankenstein has really conquered himself. One great difference between Victor Frankenstein is that the misery caused by his invention has consequences that he himself feels, while many modern innovations externalize costs to another locality or a later generation. But a thoughtful reader may look around and wonder in what ways he or she is working to create a monster.

Readers should be grateful to Karen Swallow Prior for her work on this project and to B&H for refreshing these works of literature for contemporary readers to enjoy, discuss, and grow through. These volumes promise to be resources that can be appreciated for decades to come.

Spirits in Bondage - A Review

C. S. Lewis is known in most contemporary circles for his apologetics and for his children’s books. If you were to do a “person on the street” interview about Lewis in a local church, you would probably find people mentioning his Chronicles of Narnia, Mere Christianity, and perhaps the collection of essays titled, God in the Dock. There might be some who know about The Screwtape Letters or, if they have a philosophical bent, The Abolition of Man, or, perhaps, The Great Divorce.

Not only would you find people ignorant of any of the works that focused on Lewis’ primary vocation as a scholar of Medieval and Renaissance literature (one of which is still a text in use), but you would be hard pressed to find someone who has not fallen deep into the well of Lewis studies that would describe Lewis as a poet.

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And yet, the first volume Lewis ever published was of poetry, and he published many along the way. In an informal exchange, senior Lewis expert James Como (who contributed an essay to the volume, The Christian Mind of C. S. Lewis) informed me that Lewis may have executed his mythopoeic power more effectively in his poetry than in his narrative writing. Based on some of his later poetry, particularly poems like “As the Ruin Falls,” there is an argument to be made there.

Lexham Press has recently released Lewis’ first published volume, which is a cycle of poetry. Spirits in Bondage: A Cycle of Lyrics was begun during his teenage years (as we know from his correspondence with Arthur Greeves) and completed while Lewis was in the trenches during the Great War and during his recovery after he was wounded. It bears the marks of a broadly read teenager. Engaging, imitative, emotionally powerful at times, and at other times not quite enrapturing.

This small book, originally published under the pseudonym Clive Hamilton, earned a lukewarm reception from reviewers, which contributed to Lewis becoming more invested in other forms of literature. Part of the reason for its meager applause when released was that Lewis largely borrows from existing forms of poetry and, at the beginning of the Twentieth Century, English poetry was trending toward more modernistic form and structure. Lewis’ tendency to imitate the art of others, borrowing their themes and structures to present ideas in a fresh way, did not catch the fancy of readers of poetry as it would in his highly imitative science fiction trilogy or with the Chestertonian moralism of much of his apologetic prose. In many ways we should be thankful, because Lewis the novelist and apologist has been more effective than Lewis the poet may have been.

The new edition of Spirits in Bondage is a well-constructed book. The slender hardback volume is artistically illuminated, with brilliantly colored endsheets. It is well-typeset to invite the reader into a meditative digestion of Lewis’ poetry. This is a lovely volume and a pleasure to experience.

The reprint book has been published with a new introduction by Karen Swallow Prior. Her brief essay helps welcome unfamiliar readers into this book. She reminds people that this “is a work of literary, intellectual, and spiritual immaturity––and promise.” And it is all of those things. The reader of Mere Christianity would be surprised to pick up this book and find a tendency toward supernaturalism, but no real sense of the grandeur of the Divine. Prior’s introduction does what all introductions should do: it puts the work into its context so the uninitiated reader need not puzzle over themes and concepts that seem foreign. It also sets expectations, as Prior notes, “While sometimes weak in both concept and execution, the poems overall exhibit considerable metrical variety and a range of perspectives impressive for such a young writer. They are worthy reading for the poetry lover and the Lewis aficionado alike.”

Readers should understand that Spirits in Bondage is being reprinted because of the man who wrote it, not because it is the best poetry of its age. But for those struggling to understand the complexity of Lewis (there is a great deal more to even his children’s stories than some will acknowledge), these poems are exceedingly helpful.

When Lewis wrote Spirits in Bondage he was not a theist. He was past the most strident phase of his atheism, which was fueled by his tutor. He had found joy in the transcendent beauty of Nordic mythology. He had dabbled in the occult in his late teens, and that supernaturalism can be seen beneath some of Spirits in Bondage. This is, to be clear, not a series of love poems to the God of Abraham, Isaac, and Jacob. But it is not directly antagonistic to the faith, however. We encounter a Lewis who has not been found by Christ, but is searching for something he knows is out there.

This book will have the most appeal for those studying the life and work of C. S. Lewis. But those that enjoy poetry will find it a generally pleasant experience, too. Those who both enjoy poetry and are deeply interested in Lewis will find this a thoroughly intriguing book, because there are echoes of later Lewisian thoughts and motifs even in this very early work.

NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.

On Reading Well - A Review

It is a general rule that when Karen Swallow Prior writes something, you should read it. Her latest book, On Reading Well, is no exception.

In this volume, Prior brings her lifelong interest in literature, which has culminated in her work as a professor of English, and an interest in seeing people–particularly Christians–live ethically.

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Her thesis in On Reading Well is that careful reading of literature forms the human soul. Even books that were not written with a specific moral—and perhaps especially those not written with a specific moral—can be morally formative when the story is well-told. In one sense, we borrow the memories of the characters by living their experiences vicariously when we read carefully.

To carry out her mission, Prior selects twelve books that might find their way on the reading list of university syllabus in any setting, then explores their moral terrain. A clear message from Prior’s curated list is that we can learn from the human condition well explored, whether or not we agree with the theology of the author.

The literary discussions are framed in terms of virtues, with four chapters on the cardinal virtue, three on the theological virtues, and another five on what Prior calls the heavenly virtues. When the virtues are discussed as concepts with their substance filled from contemporary sources, such approaches often fall short of the mark. This structure works and is edifying, in part, because the content of these virtues is filled with substance from the Christian tradition, with influence from classical thinkers who have also influenced Christians throughout the centuries.

I have previously read most of the works Prior covers. In some cases, it has been several decades. There were four chapters on material I have never read (I won’t say which, lest some readers get judgmental.), but Prior’s careful discussion enables even an unexposed reader to gain from the chapters.

Readers will benefit more from the book if they have read all of the literature Prior discusses. Perhaps the most beneficial approach would be to read the particular work of literature just prior to reading each chapter. However, for those simply seeking to grow and better understand how humans ought to live, this book can stand on its own.

At one level, this is a book that teaches readers about ethics. At another level, On Reading Well is a warm invitation into the world of literature. This invitation is extended graciously and unpretentiously.

Reading literature is important for those seeking to really know people around them. This is especially true of pastors and theologians. As a theologian, I have found that my ability to empathize with others, to understand, and to explain hard concepts clearly ebbs and flows based on my reading. One might think this would have primarily to do with the theology that I read, but it has more to do with the literature that I am reading. Specifically, when I am reading imaginative stories (not all of which is quality literature), my imagination is invigorated. I am equipped with clearer illustrations of sometimes complex theological or ethical concepts. Often these are not drawn specifically from the book that I am reading, but simply a reflection of the pattern of thought that comes from reading a good story well told.

Prior taps into the link between the moral imagination and reading. We are formed by what we read and how we read. A subtext throughout this volume is the call to read and think carefully about the books we encounter. This is no guide to chugging through an arbitrary list of supposedly important texts, but a demonstration of the sort of thoughtfulness that should characterize the time we spend partaking of good books.

On Reading Well is enjoyable for its quality as a book in itself. For those who enjoy reading literature, it is a treat worthy of a fireside reading. This has a place in the library of homeschool families, where it shows what close reading looks like and may help some families move beyond the list of reading comprehension questions into discussions about the soul of the literature they encounter. Pastors can benefit from this by exploring thought beyond the bounds of commentaries, the latest non-fiction volumes, and even classical theological works. The church will benefit if the men called to preach are reading good books carefully, even if it does not lead directly to sermon references.

NOTE: I received a gratis copy of this volume from the publisher with no expectation of a positive review.

Fierce Convictions: The Extraordinary Life of Hannah More

Who is Hannah More?

Unless you have read Karen Swallow Prior’s recent book Fierce Convictions, or you are a careful student of late 18th century British history, you probably don’t know.

I have studied some history from that era. Until I picked up this book, I did not know who Hannah More is nor why I should care. I’ve been missing out.

William Wilberforce is the political figure that is recognized as the leader of the British abolitionist movement. He is the subject of multiple biographies, including the popular book by Eric Metaxas and the recent biographical film, Amazing Grace.

Like any significant political or social figure, Wilberforce did not act alone. Wilberforce was heavily influenced by John Newton’s personal accounts of slavery and his emotional and theological plea to end the barbarity. Wilberforce also relied on a circle known as the Clapham Sect for encouragement and support.

The list of individuals involved in the Clapham Sect includes authors, businessmen, and Members of Parliament. It also includes Hannah More.

Think about this: One of the most historically influential social reformers had a woman in his inner circle in the late 18th century in England. This is so socially abnormal that it speaks to the value More must have brought to the group, as a writer, thinker, organizer, and financial supporter.

Prior’s book fills in a gap in evangelical history by providing a well-written and well-researched biography of a significant player in the reformation of British society. More was instrumental in ending slavery, popularizing the Sunday School movement, legitimizing the role of women as writers, and ending popular support for a variety of social vices.

More wrote a novel, many poems, several plays, and hundreds of pamphlets–the blog posts of the late 18th century. Her literary product was well received and popular, which raises the question why Jane Austen’s moralistic volumes have superseded More’s in the canon of Western Literature. Although I took a course in British literature for my undergraduate degree that emphasized that period of literature (and had us read more than one of Austen’s books), More made nary an appearance.

In fact, it is More’s emphasis on manners and propriety that have largely led her to be marginalized and included only as a footnote to the lives of Wilberforce and Newton. Also, as Prior notes, More made the tragic mistake of rebuking the biographer of Samuel Johnson for drunkenly accosting her. Though she was a close and longtime friend of the popular and influential British author, Samuel Johnson, her rebuke led the offended James Boswell to largely write Hannah More out of Johnson’s biography. The small appearances More makes in that biography present her negatively, which has likely contributed to her disappearance from the pages of histories.

Prior portrays More sympathetically, though not without flaws. While More was adamant to teach the poor to read, she resisted teaching them to write since that was viewed as above their station. More was kind and considerate, but sometimes too subject to the opinions of others. Public criticism and theological debate would cause her to be physically ill.

In the balance, though, Prior’s depiction of More is overwhelmingly positive. Much like Dorothy Sayers, More points toward ontological egalitarianism while recognizing functional complementarianism between the genders. By her example, Hannah More helped to begin the movement evangelicalism from an unhealthy patriarchalism to a more appropriate view of gender. Through all this More clung to her distinct feminine identity and was most injured by accusations of theologically improper gender roles. This biography presents an intellectually brilliant woman who managed to be a major social influencer in a largely patriarchal society without devolving into the shrill protests common among feminists in our day. This facet of More’s life alone makes this biography a worthwhile read.

If you enjoy biographies, this book is a must read. Prior does an excellent job in presenting the facts of Hannah More’s life in engaging prose. The front of the biography may seem to drag a bit for some, as Prior carefully explains why the reader should be interested in More’s life, sets the social stage, and explains why More has been previously neglected. However, the information Prior provides in the first few chapters is essential to the narrative. Once the reader plows through of the details of the back story, which are extremely important to academics like me, into the action in More’s life story, the book is a page-turner.

By the end of the book I was encouraged as a believer living in a time of social turmoil that is similar to More’s epoch. I was instructed by the methods used by More and others to change society. I was delighted by an artful account of the life of a full life. I was blessed by the biography of a godly woman engaged in living her life according to her fierce convictions, which were shaped more by the content of Scripture than the cultural needs.

This is a book that belongs on your shelf. More importantly, it deserves to be read.

Note: A gratis copy of this book was provided by the publisher. There was no expectation of a positive review. All thoughts and ideas expressed above are my own.